Eric Alper reviewed Sarah Kirkland Snider’s new studio album, Forward Into Light, on Nonesuch Records/New Amsterdam Records on his blog, That Eric Alper.

Presto Music selects Sarah Kirkland Snider’s new studio album, Forward Into Light, for their “February Team Choice”.

Craig L. Byrd from Cultural Attaché reviewed Sarah Kirkland Snider’s new studio album, Forward Into Light, on Nonesuch Records/New Amsterdam Records on his blog, New in Music This Week.

Jon Sobel from Blog Critics reviewed Sarah Kirkland Snider’s new studio album, Forward Into Light, on Nonesuch Records/New Amsterdam Records.

Richard Allen from A Closer Listen reviewed Sarah Kirkland Snider’s new studio album, Forward Into Light, on Nonesuch Records/New Amsterdam Records.

Pwyll ap Siôn from Gramophone reviewed Sarah Kirkland Snider’s new studio album, Forward Into Light, on Nonesuch Records/New Amsterdam Records.

Phil Freeman of Downbeat Magazine reviews “Myth of Tomorrow”.

Judlyne Lilly interviews Sarah Kirkland Snider to discuss her new studio album, Forward Into Light, on Second Street Dreams.

Clover Nahabedian of I Care If You Listen shares her review of “Myth of Tomorrow”.

The New York Times, Gramophone, and NPR celebrate The Blind Banister in their "Best of 2024" lists.

“Ricardo Romaneiro’s audiovisual symphony LIQUIDVERSE: Microcosm & Macrocosm has joined Cosm’s collection of critically acclaimed and unique immersive productions.”

“Cosm Dallas also has numerous immersive art events Orbital and Liquidverse.”

“A completely different orchestral arrangement. Really massive, really powerful sounding stuff.”

“Liquidverse: Microcosm & Macrocosm is Ricardo Romaneiro‘s psychedelic exploration of miniature chemical reactions.”

Ricardo Romaneiro’s audiovisual symphony, LIQUIDVERSE: Microcosm & Macrocosm, offers a sensory journey. This experience combines orchestral music with liquid visuals. It will debut on July 12 at a private event featuring a live orchestra, followed by ticketed showings throughout July and beyond.

Metropolis recently launched Loud and Soft, a new web presentation with Sandbox Percussion. Go behind-the-scenes with composer Molly Joyce as she discusses the production and its role in the conversation about accessibility in music.

Wonderfully controlled and poised performance by cellist Inbal Segev in Upstate Obscura, Metropolis Ensemble under conductor Andrew Cyr in full control throughout, and the irrepressible Andres on top of his game in The Blind Banister and the solo piano piece Colorful History, I cannot recommend this album highly enough.

The addition of the Metropolis Ensemble added an extra layer of depth and grandeur to Rose’s performance, elevating her already stellar songwriting to new heights.

Caroline Rose is on tour supporting last year’s The Art of Forgetting, and they just wrapped up a few of special shows where they were joined by players from Metropolis Ensemble for an orchestral set.

Here’s a few highlights from the project, including backstage and the performance at Brooklyn Steel on April 5.