Pianist and composer Timo Andres performs from Brooklyn.

April 21, 2018 / World premieres from Timo Andres, Caroline Shaw, and a performance of Charpentier with Metropolis Ensemble and TENET early music ensemble.

Timo Andres’ piece, which features the cellist Inbal Segev performing with the Metropolis Ensemble, is based on John Vanderlyn’s “Panoramic View of the Palace and Gardens of Versailles” (1818-19), a massive painting on nearly 2,000 square feet of canvas that requires its own circular gallery in the Met’s American Wing. 

Inbal recommends the panoramic installation at the Metropolitan Museum of Art that inspired composer Timo Andres to write a new cello concerto.

The MetLiveArts concert “Time Travelers to Versailles” with Metropolis and TENET is a featured event for The New Yorker.

PIANO PHILHARMONIC: TIMO ANDRES, DAVID KAPLAN, ANDREW HSU AND MIKA EMILY SASAKI PILE ONTO THE PIANO BENCH TO PERFORM MUSIC ORIGINALLY FOR ORCHESTRA.

September 17, 2017

Le Poisson Rouge
January 12, 2016

A playlist by Timo Andres

Le Poisson Rouge
March 22, 2015

The composer and pianist Timo Andres’s take on the “Coronation” (otherwise known as the Piano Concerto No. 26 in D) felt necessary — not a lark but a surprisingly moving dazzler.

His second record, last year’s “Home Stretch,” boldly fills in the absent left hand of Mozart’s “Coronation” Concerto and also offers up a 14-minute “Paraphrase on Themes of Brian Eno.”

The 56th Annual Grammy Awards on January 26, 2014 proved to be a stellar night for the artists and collaborators of Metropolis Ensemble in multiple winning categories!

Home Stretch is a gentle gondola ride through five lovely Eno songs ... a clever, lovingly orchestrated homage in the time-honored spirit of Franz Liszt.

In the reinvention of the Coronation Concerto on Home Stretch, Andres lets his imagination fill in the gaps, and creates a lovely amalgam of Mozartian classicism and modern pianistic sensibility.

The different music on composer-pianist Timo Andres’ Home Stretch — a rhythmically modern piece for piano and chamber orchestra, a reimagination of Mozart’s Coronation concerto, and a “paraphrase” of themes written by an experimental, ambient musician — is an adventure in time, in terms of tempo and stylistic history.

On his new album, Home Stretch, Andres plays off of works by Brian Eno and Mozart, matching his reinventions of those pieces with a composition of his own. The result is a buoyant and fascinating record.