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New York Times: In Visible Roads Festival
These three concerts in this collaborative group’s In Visible Roads festival all look at the piano in one way or another. On Friday there’s a glimpse at composers who are either synesthetic or take an avowedly coloristic approach to composing.
New York Times: A Room-Size Painting Becomes a Cello Concerto About Versailles
Timo Andres’ piece, which features the cellist Inbal Segev performing with the Metropolis Ensemble, is based on John Vanderlyn’s “Panoramic View of the Palace and Gardens of Versailles” (1818-19), a massive painting on nearly 2,000 square feet of canvas that requires its own circular gallery in the Met’s American Wing.
Fifteen Questions with Inbal Segev
Inbal recommends the panoramic installation at the Metropolitan Museum of Art that inspired composer Timo Andres to write a new cello concerto.
The New Yorker: Goings On — Time Travelers to Versailles
The MetLiveArts concert “Time Travelers to Versailles” with Metropolis and TENET is a featured event for The New Yorker.
Huffington Post: A Requiem for Cambodia is a Phoenix Rising from the Flames
This is one of the most poignant stage works I have seen in my life, which recently left BAM and goes on to tour parts of the US and Paris, before heading back to Cambodia.
The Saturday Paper: Interview with Him Sophy
You remember your ancestors who have passed away. But bangsokol also gives hope to people who are still alive … It’s good to not only think about death, but also about the living.
New York Times: Al-Quds Jerusalem
Mohammed Fairouz, a prolific and inventive young composer, has written a new oratorio seeking to capture some of Jerusalem’s complex dynamics and sounds.
Village Voice: Classical Music Gets Casual
“It’s not about gimmicks, it’s about feeling allowed to break with convention and enjoy the music as you like.”
Vice: Multisensory Concert Experience Marries Food, Music, and Art
“A sensory overload in an Upper East Side mansion.”
Associated Press: Student who ran rogue eatery trying to find post-grad path
“This week, a day before he graduated, the economics and sociology major cooked up his experimental cuisine.”
Edible Manhattan: At This Pop-up, a Composer and a Chef Sync Performances
Jonah Reider is the culinary half of the duo behind “Brownstone,” a food- and music-based pop-up billed as “an experiential treasure-hunt of sound, taste and color.”
Vice: 'Drifting in Daylight' Floats Free Art and Performance into Central Park
Two ship captains—Fung Lin and Duke Riley, Nordic boat specialists—emerged and entered the boat, followed by dapperly dressed brass players from the Metropolis Ensemble, a non-profit professional chamber orchestra.
Concord Monitor: Chamber group brings site-specific composition to Kimball House at Capitol Center for the Arts
This site-specific electro-acoustic composition living art installation by Jakub Ciupinski will not only be performed this weekend, but it will be performed by Metropolis Ensemble through the historic, Victorian-era Kimball House at the Capitol Center for the Arts.
Bates: Andrew Cyr ’96 and Metropolis offer concert, workshops
“With its performers dispersed throughout the Olin Arts Center at Bates College, Metropolis presents the innovative site-specific piece Brownstone.”
Washington Post: Phillips Camerata and guests perform a trio of Washington premieres
The Washington premiere Sunday of a bold new harp concerto capped an engaging and powerful performance of recent music by members of the Phillips Camerata, the resident ensemble of Washington’s Phillips Collection; the Quartet Senza Misura; and musicians from the New York-based Metropolis Ensemble.
Wall Street Journal: Opera for a Younger Crowd
One of New York's scrappiest contemporary music groups is turning to opera. Beginning Friday and running through May 12 at the New Victory Theater on 42nd Street, the Metropolis Ensemble will accompany "The Firework-Maker's Daughter," a new opera by David Bruce, the promising 2012-2013 composer-in-residence at London's Royal Opera House.

