Han Chen talks with composer Vivian Fung about how she discovered her own identity through listening to music outside the Western music canon, and why she rejects the idea of being categorized.

Han Chen talks with Chinese-American composer Lei Liang about his immigrant story and how he looks up to the artistic giants who have inspired his composition.

“Within ourselves, we get to have renewals whenever we want, and this just felt like the best time to be allowing for this change.”

In the debut episode of Migration Music, Han Chen talks with composer Reinaldo Moya about his opera Tienda and his immigrant story.

Ignorance and persistence and willful belligerence. Working really hard and I would say treating it like it was my career before I was making any money. Giving it the same amount of time and investing in it as if it was my full time job until it was.

Discovering Well’s music feels like finding Narnia on Spotify. I keep returning to the trove of music trying to unpack all the little bits all the while worried that I’m going to miss the larger picture.

Inbal recommends the panoramic installation at the Metropolitan Museum of Art that inspired composer Timo Andres to write a new cello concerto.

You remember your ancestors who have passed away. But bangsokol also gives hope to people who are still alive … It’s good to not only think about death, but also about the living.

Sound artist and composer Nina Young talks about the intersection of electronic and acoustic music.

Robin McClellan, director of ComposerCraft, introduces six middle schooler composers collaborating on our Multiphonics concert.

What happened when opera singer Majel Connery threw away most of the traditional technique?

A 21st century re-imaginging of the bassoon classic, Mozart K191, for bassoon and electronics.

“How about a Cleopatra-inspired cantata with obbligato bassoon? Sounds awesome to me.”

“It’s exciting to premiere five new works that feature the bassoon on a single evening – it’s a rare occurrence.”

It may seem surprising to hear that Vivian Fung, born and raised in Edmonton, has built an international reputation as a classical music composer that has led her to a commissioned orchestral work for the Vancouver Symphony Orchestra, as a way of introducing its 2015 season in September. But there it is. Fung knows no bounds, nor does her compositional groove.

His second record, last year’s “Home Stretch,” boldly fills in the absent left hand of Mozart’s “Coronation” Concerto and also offers up a 14-minute “Paraphrase on Themes of Brian Eno.”

Andrew Cyr continually fosters young composers and emerging talents, and I’ve been honored to premier an incredible amount of music by some wonderful composers.

On his new album, Home Stretch, Andres plays off of works by Brian Eno and Mozart, matching his reinventions of those pieces with a composition of his own. The result is a buoyant and fascinating record.

Andrew Cyr and David Bruce talk over the score on stage for “The Firework Maker’s Daughter.”

Chatting with composer Vivian Fung about her upcoming studio release with Metropolis Ensemble and finding her voice in the creative process.