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New York Times: In Streaming Age, Classical Music Gets Lost in the Metadata
For contemporary classical artists, metadata is not just an abstract consideration.
Carrot Revolution
A SWEEPING CONCERT FEATURING CELLIST GABRIEL CABEZAS WITH THE RECENTLY GRAMMY-NOMINATED AIZURI QUARTET
May 29, 2019
Tales from the Aviary
AN EVENING OF NEW MUSIC ENTIRELY CONCEIVED, COMPOSED, AND PRODUCED BY GIFTED TEENAGE COMPOSERS
May 15, 2019
Bust Review: This World Is Too ____ For You
A striking blend of orchestral and goth music, this album is a slow-burner that is equal parts heart wrenching, sexy, and meditative.
Andrea Casarrubios' Caminante
FEATURING EMILY DAGGETT SMITH ON VIOLIN AND ANDREA CASARRUBIOS ON CELLO
May 6, 2019
Ballet Prismatique
PRESENTING VARIOUS KINDS OF DANCE MUSIC FROM DIFFERENT PERIODS, FORMING A KALEIDOSCOPIC BALLET WITHOUT STYLISTIC LIMITS, AS PART OF IN VISIBLE ROADS, METROPOLIS ENSEMBLE X BLUEPRINTS PIANO FESTIVAL
April 21, 2019
Points of Departure
A MARATHON PIANO CONCERT SHOWCASING A RICH COLLECTION OF PERSONAL STORIES AND TRANSFORMATIONS BY AN ARRAY OF COMPOSERS, AS PART OF IN VISIBLE ROADS, METROPOLIS ENSEMBLE X BLUEPRINTS PIANO SERIES
April 20, 2019
Synesthetic Vibrations
A COLORFUL PROGRAM FEATURING VOICES OF COMPOSERS WITH SYNESTHESIA, FRAMED BY A DIALOGUE BETWEEN NATURAL AND SUPERNATURAL THEMES, AS PART OF IN VISIBLE ROADS, METROPOLIS ENSEMBLE X BLUEPRINTS PIANO SERIES
April 19, 2019
In the Mists
FROM BEETHOVEN TO BRESNICK, LISA MOORE, DESCRIBED BY THE NEW YORK TIMES AS “BRILLIANT AND SEARCHING…BEAUTIFUL AND IMPASSIONED…LUSTROUS AT THE KEYBOARD”, PRESENTS A CONCERT CONNECTING EUROPEAN AND AMERICAN COMPOSERS WITH FANCIFUL IMAGERY, AS PART OF IN VISIBLE ROADS, METROPOLIS ENSEMBLE X BLUEPRINTS PIANO SERIES
April 11, 2019
New York Times: In Visible Roads Festival
These three concerts in this collaborative group’s In Visible Roads festival all look at the piano in one way or another. On Friday there’s a glimpse at composers who are either synesthetic or take an avowedly coloristic approach to composing.
The New Nine: Interview with Emily Wells
Ignorance and persistence and willful belligerence. Working really hard and I would say treating it like it was my career before I was making any money. Giving it the same amount of time and investing in it as if it was my full time job until it was.
Legion
RIGHTEOUSGIRLS, A PIANO AND FLUTE DUO (ERIKA DOHI ANDGINA IZZO) WHO EXPLORE BEYOND THE ACOUSTIC MEDIUM, CELEBRATE THE WORLD PREMIERE OF LEGION (FOR 8 FLUTES AND 8 PIANOS) BY ALEX BURTZOS ALONG WITH WORKS BY ANDY AKIHO, AMBROSE AKINMUSIRE, PAULA MATTHUSEN, AND MIKE PERDUE
April 2, 2019
BrooklynVegan: 22 New Songs Out Today
“Wye Oak, The Brooklyn Youth Chorus, and Metropolis Ensemble join together to perform a song-cycle written by composer William Brittelle, and a Wye Oak piece reimagined by Brittelle, on Spiritual America, due out May 3 via Nonesuch. The first single from the project, “Forbidden Colors,” places Jenn Wasner’s vocals over a multilayered chamber orchestra piece.”
Inner Dialogues
VIRTUOSO CLARINETIST FROM IMANI WINDS MARK DOVER JOINS JAZZ AND WORLD-MUSIC YOUNG GIANT, PIANIST/COMPOSER GUY MINTUS, TO PRESENT A DAZZLING CONCERT WITH ORIGINAL WORKS AND IMPROVISATION
March 25, 2019
Piano As Machine: Timbre and Technology of a Most Familiar Instrument
AN INTERACTIVE ARTISTIC TALK-PERFORMANCE PRESENTED BY EXPERIMENTAL MUSIC COMPOSER PATRICK HIGGINS AND PIANIST CONRAD TAO (“PROBING INTELLECT AND OPEN-HEARTED VISION”, NY TIMES) TO EXAMINE THE REMARKABLE HISTORY OF THE KEYBOARD WITH THEIR OWN THEORIES OF THE PIANO (ALSO AS PART OF HIGGINS’ CRISIS MUSIC SERIES AND IN VISIBLE ROADS, METROPOLIS ENSEMBLE X BLUEPRINTS PIANO FESTIVAL
March 21, 2019
Americana
METROPOLIS ENSEMBLE CONCERTMASTER KRISTIN LEE AND PIANIST/IMPROVISER/COMPOSER JEREMY JORDAN CELEBRATE A DIVERSITY OF 20TH-CENTURY AMERICAN MUSIC FROM RAGTIME TO TODAY, WITH A SPECIAL EMPHASIS ON IMPROVISATION, AS PART OF METROPOLIS ENSEMBLE X BLUEPRINTS IN VISIBLE ROADS PIANO FESTIVAL
March 19, 2019
Diandra Reviews It All: Emily Wells’ This World Is Too ____ For You
Emily Wells’ This World Is Too ____ For You is a gorgeous orchestration of how “too much” we can feel the world, life, or a person is within our sphere.

