“Roots albums, no matter the landscape around them, always feel sturdy, firm—responsible, in the classic Gangstarr way.”

In “…And Then You Shoot Your Cousin,” The Roots prove their mastery of mixing high and low culture for diverse audiences. It’s a headier album, but one rife with significance.

“It’s a curious turn, but one that finds them as oddly whimsical and satisfying as ever.”

All preconceived notions of ‘hip-hop’ are tossed out the window, as the transcendence of the sometimes one-dimensional genre is epitomized here.

Putting the record on the turntable is an immersive experience that I consider to be synonymous with hip hop as the music will not only radiate through your body but will also touch your soul.

In The Roots’ …And Then You Shoot Your Cousin, pianos and strings clash in explosions of third-stream jazz, French electro-acoustic pioneer Michel Chion brings noise, deep-blue tones vibrate like Miles Davis' Porgy and Bess.

It’s hard to deny the overall effect of this strange, smartly conceived album.

The Roots have total command of their combination of jazz-influenced hip-hop and social awareness.

Dreamscapes is magnificent with virtuosic performances… a spectacular sounding disc… by one of today’s most eclectic composers.

“Thought-provoking glimpses into how the past and the present merge in classical music today.”

The two concertos were recorded at Tanglewood’s Seiji Ozawa Hall by Charlie Post and Tim Martyn with a “you-are-there” feeling.

The opening Violin Concerto is a good introduction to Fung, offering an immediate vista of her understated but brilliant orchestration and her technically demanding but musically riveting writing for the violin.

This, easily, one of the most unusual piano concertos you will ever hear but, I think, the strongest work in this collection and completely fascinating. The fact that she is, clearly, a very creative and skilled composer is all I need to recommend this without hesitation.

Vivian Fung’s Dreamscapes is a cutting-edge album in the best sense, an invigorating indication of where we are in classical music.

Exciting, skilfully put together music with many exoticisms.

“What sets Fung apart is her ability to take over the subconscious of the listener, to build a world so captivating that even the strangest of transitions happen seamlessly. “

“The year-old Violin Concerto that leads off the disc boasts a certain winsome charm, especially in the fluid performance of soloist Kristin Lee.”

At every point in the disc, Fung has a strong sense of thematic control and structural overview that suggests more great things to come.

Here at last is music of dramatic urgency and depth, in which Fung draws on ideas from gamelan while also adding plenty of her own original material - clangorous, dissonant harmonies, off-kilter rhythms and a sense of wild unpredictability.