The composer and pianist Timo Andres’s take on the “Coronation” (otherwise known as the Piano Concerto No. 26 in D) felt necessary — not a lark but a surprisingly moving dazzler.

His second record, last year’s “Home Stretch,” boldly fills in the absent left hand of Mozart’s “Coronation” Concerto and also offers up a 14-minute “Paraphrase on Themes of Brian Eno.”

Home Stretch is a gentle gondola ride through five lovely Eno songs ... a clever, lovingly orchestrated homage in the time-honored spirit of Franz Liszt.

In the reinvention of the Coronation Concerto on Home Stretch, Andres lets his imagination fill in the gaps, and creates a lovely amalgam of Mozartian classicism and modern pianistic sensibility.

The different music on composer-pianist Timo Andres’ Home Stretch — a rhythmically modern piece for piano and chamber orchestra, a reimagination of Mozart’s Coronation concerto, and a “paraphrase” of themes written by an experimental, ambient musician — is an adventure in time, in terms of tempo and stylistic history.

On his new album, Home Stretch, Andres plays off of works by Brian Eno and Mozart, matching his reinventions of those pieces with a composition of his own. The result is a buoyant and fascinating record.

The centrepiece of this latest collection on Home Stretch is a perfect example of Andres's playful intelligence and individuality.

“An ambitious and confident performance resulting in a compelling blend of ancient and modern.”

“Thought-provoking glimpses into how the past and the present merge in classical music today.”