“A vividly immersive thriller... not a word or note is without purpose, and both are captured, if not enhanced, in this richly produced recording.”

In a Grove provides further confirmation of Cerrone's singular gifts and why he's justly regarded as one of today's leading composers

Steph Power from BBC Music Magazine rates In A Grove with five out of five stars.

The way they create a soundscape in the recording really captures the mysterious and immersive spirit of Akutagawa’s work. It’s immersive, it's compulsively listenable.

In A Grove is an engrossing and complete experience... Cerrone evokes the fragility of memory from the outset... Metropolis articulates his economical writing for nine players with vivid nuance.

In A Grove is vividly produced… not a mere document of the premiere, but a creation of its own, carefully considered for the studio… commanding attention until the end.

Our top pick is “In A Grove.” This is an opera that will linger long in my memory. Now it can find a place in your memory with the release of this album. I love it and can’t wait to see a full production (hopefully sooner as opposed to later).

In A Grove provides further confirmation of Cerrone's singular gifts and why he's justly regarded as one of today's leading composers.

Our new album, In A Grove, is featured at the top of the TIDAL Avant Garden playlist , and also featured prominently on the Classical page in the TIDAL app.

“In A Grove” composer Christopher Cerrone and librettist Stephanie Fleischmann recently spoke with Dave Lake at WRUU in Savannah.

Christopher Cerrone’s haunting opera In a Grove is a good example of how to create something original and modern out of a timeless classic. Cerrone’s atmospheric score is deep and magical.

Chris Cerrone talks about the adaptation process, his favorite Billie Eilish song, the influence of his wife, and how he built an entire opera out of two chords.

“Entering Telekinesis’ sound world, one feels like an explorer discovering a planet located at the far reaches of a distant galaxy… a journey that is at once exhilarating, terrifying and alienating.”

“A work that pursues not only the strangeness of electronic instruments and acoustic instruments, but also creates an environment where you can coexist in a place where you can feel organically.”

“I don't think there's a more exciting contemporary composer than Tyondai Braxton… The electroacoustic action ebbs and flows, clashing with operatic drama one moment before crocheting a finely-textured silence with Braxton's ominous electronics… The eighty-seven players at work crafted a tremendous sonic adventure.”

“Telekinesis has a unique tonal quality characterised by thrilling juxtapositions between electronic and acoustic sounds. An astonishing tour de force that gives new meaning to the word epic. Four stars.”

“This album has proved seriously addictive; its richly detailed timbre is impossible to resist… endlessly entertaining and beautifully put together.”

“A work that pursues not only the strangeness of electronic instruments and acoustic instruments, but also creates an environment where you can coexist in a place where you can feel organically.”

“A symphonic work that sounds like a lost sci-fi film soundtrack. It has the clustered, hovering awe of György Ligeti’s Atmosphères and the eerie arpeggiated angles of Hermann soundtracks like Vertigo and The Day The Earth Stood Still. It’s a hoot.”

“Fans of this electronic and orchestral specialist have been waiting for the next big statement. And here it is... Tyondai Braxton in full command of his art.”