Erica Dicker is a New York-based violinist and improvisor making music reflecting her interest in experiencing eidetic memories as aural phenomena, a sensibility she brings to the Brandon Seabrook Trio, Carl Testa’s SWAY, Anna Webber’s Idiom, her electro-acoustic trio Vaster than Empires and Blood Luxury with Dennis Sullivan.

Brooklyn-based percussionist, composer and improviser Deric Dickens divides his time between the improvised and creative music scene and the indie rock scene in NYC. Dickens has toured, recorded and performed for many years with Robinella (Columbia Records) Daniel Carter, Aaron Quinn, Jaimie Branch, John Ralston, Russ Lossing, Caroline Davis, Eli Wallace, Eriika Dicker, Ben Cohen, Ted Brown, and Brad Linde, and has worked on soundtracks for James Schamusʼ Indignation, D.W. Youngʼs Too Cold to Swim, as well as many other indie films and T.V. projects.

Zekkereya (they/them) is an interdisciplinary artist originally from the Los Angeles Area. They are a member of the Pan Afrikan Peoples Arkestra and has also worked with West Coast Luminaries such as Busdriver, JMD, Trevor Lawrence, William Roper, Zeroh, MAIA, and Michael Session. They have also shown animated films internationally, most of them exploring visual music. They also make graphic scores both animated and still.

Weston Olencki is a musician, composer, and sound artist. Weston is currently making work centered around questions of instrumental music and its contexts/constructs, various mediated practices of listening and improvisation, and the technological, material, and cultural histories of rural space/time…

Aaron Quinn (Stamford, CT 1986) is a composer/performing living in Brooklyn, New York. As a performer, Aaron has given concerts internationally and has collaborated with a wide range of ensembles, including Realicide, Fields and Planes, Liver Quiver, and Team Players and artist such as Wadada Leo Smith, Ted Brown, and Miho Hazama. Notable performance and premiere locations for Aaron's compositions include the Kennedy Center, The Smithsonian Institution and The Manhattan School of Music.

Dominican-American saxophonist and composer, Alfredo Colon is a proud New York City native. His distinct sound lives at the crossroads of a wide range of experiences and inspirations, from his upbringing in Upper Manhattan, to his Dominican heritage, to his love of musicians with melodic approaches to improvisation, including Sonny Sharrock, Ornette Coleman, and Pharoah Sanders…

Radical self-love, compassion, laughter and the drive to promote and amplify Black art-makers and noise-makers are at the core of Clifton Joseph Guidry III’s work. The New York City-based bassoonist, composer, and activist excels in many spheres, with performances hailed by the San Diego Tribune as “lyrical and haunting… hair-raising and unsettling…” Clifton is not only a versatile and acclaimed bassoonist, but they are also an improviser and composer of experimental and daring new works that proclaim Clifton’s love of storytelling. In all aspects of his work, Clifton is supporting, hiring and promoting Black artists within their practice. In honoring their ancestors and those who came before them Clifton’s compositions channel their inner child.

Florian Herzog, (1989) bassist and composer, is a pioneer of the German and international jazz and avant-garde scenes. After living and working in the Netherlands, Cologne and finally New York, he now writes for projects that are avant-garde jazz, pop or electronic, but also always all of the above. His bass playing has been described by the press as "emancipated, spirited and sensitive.”…

Informed by Afrological principles of drum ensemble playing, Lesley Mok performs on a percussion kit assembled especially for the ensemble. She combines bongos, cowbells, temple blocks, cymbals, and floor tom, and employs diverse performance techniques to produce a dynamic range of timbres and orchestrations. A true experimentalist, she has been mentored by Vijay Iyer, Henry Threadgill, Danilo Perez, Terri Lyne Carrington, and others.