The second installment of a five-part series commissioned by Metropolis Ensemble released October 27 on New Amsterdam Records.

What if a concert could go on forever? This fall, we're launching a new digital installation conceived by Jakub Ciupinski.

Schooled in the classics, Vivian Fung writes music that speaks to the experiences of 21st-century audiences. "I feel like this is my role, she says, whether composing for orchestra, or other ensembles. "It has to be of our time. "

Get an all-access, ad-free, streaming music experience on Metropolis Ensemble’s Soundcloud Channel.

Metropolis Ensemble’s series, House Music, reflects its values of putting community at the heart of its practice, and allows it to continue to create opportunities for artists to do what they do best: make and share new music.

JOIN NEWAM AND METROPOLIS ENSEMBLE FOR OUR HOLIDAY PARTY!

December 12, 2019

Composer William Brittelle has shared the full score for and story behind "Forbidden Colors," the fifth track from his new album, Spiritual America, out now on Nonesuch/New Amsterdam Records.

“William Brittelle – Spiritual America – Wye Oak, Brooklyn Youth Chorus, Metropolis Ensemble/Andrew Cyr (New Amsterdam/Nonesuch; due May 3, 2019)”

For this world is too ___ for you, Emily Wells works in the space between art-pop and neoclassical chamber music using electronic and acoustic instruments and hip-hop production in elegant layers to support her singular and dramatic vocals.

SANDCASTLE NEW MUSIC COLLECTIVE WITH MOIRAE ENSEMBLE
June 8, 2017

So, it was only fitting that for their 10th Anniversary this past Tuesday, Metropolis took over the Angel Orensanz Center on the Lower East Side for an ambitious party that offered free flowing wine and dozens of works, some performed simultaneously.

What makes “Brownstone,” as an evening-long event and as an individual piece of music, different is “that individual audience members have near total control over how they experience and hear the work,”

“The Phillips Collection had an artsy, New York vibe on Sunday when the Metropolis Ensemble took over the place, literally.”

In the Upper East Side townhouse that the American Irish Historical Society calls home, a violinist ambled down the stairs while tuning her instrument and a harpist improvised with electronic sounds that came from the walls.

The New York-based ensemble, with roots in Maine, will perform at the Portland mansion on Oct. 3.