“A vividly immersive thriller... not a word or note is without purpose, and both are captured, if not enhanced, in this richly produced recording.”

In a Grove provides further confirmation of Cerrone's singular gifts and why he's justly regarded as one of today's leading composers

Steph Power from BBC Music Magazine rates In A Grove with five out of five stars.

The way they create a soundscape in the recording really captures the mysterious and immersive spirit of Akutagawa’s work. It’s immersive, it's compulsively listenable.

In A Grove is an engrossing and complete experience... Cerrone evokes the fragility of memory from the outset... Metropolis articulates his economical writing for nine players with vivid nuance.

In A Grove is vividly produced… not a mere document of the premiere, but a creation of its own, carefully considered for the studio… commanding attention until the end.

Our top pick is “In A Grove.” This is an opera that will linger long in my memory. Now it can find a place in your memory with the release of this album. I love it and can’t wait to see a full production (hopefully sooner as opposed to later).

In A Grove provides further confirmation of Cerrone's singular gifts and why he's justly regarded as one of today's leading composers.

Our new album, In A Grove, is featured at the top of the TIDAL Avant Garden playlist , and also featured prominently on the Classical page in the TIDAL app.

“In A Grove” composer Christopher Cerrone and librettist Stephanie Fleischmann recently spoke with Dave Lake at WRUU in Savannah.

Christopher Cerrone’s haunting opera In a Grove is a good example of how to create something original and modern out of a timeless classic. Cerrone’s atmospheric score is deep and magical.

Chris Cerrone talks about the adaptation process, his favorite Billie Eilish song, the influence of his wife, and how he built an entire opera out of two chords.

The composer and pianist Timo Andres’s take on the “Coronation” (otherwise known as the Piano Concerto No. 26 in D) felt necessary — not a lark but a surprisingly moving dazzler.

His second record, last year’s “Home Stretch,” boldly fills in the absent left hand of Mozart’s “Coronation” Concerto and also offers up a 14-minute “Paraphrase on Themes of Brian Eno.”

The 56th Annual Grammy Awards on January 26, 2014 proved to be a stellar night for the artists and collaborators of Metropolis Ensemble in multiple winning categories!

Home Stretch is a gentle gondola ride through five lovely Eno songs ... a clever, lovingly orchestrated homage in the time-honored spirit of Franz Liszt.

The different music on composer-pianist Timo Andres’ Home Stretch — a rhythmically modern piece for piano and chamber orchestra, a reimagination of Mozart’s Coronation concerto, and a “paraphrase” of themes written by an experimental, ambient musician — is an adventure in time, in terms of tempo and stylistic history.

In the reinvention of the Coronation Concerto on Home Stretch, Andres lets his imagination fill in the gaps, and creates a lovely amalgam of Mozartian classicism and modern pianistic sensibility.

On his new album, Home Stretch, Andres plays off of works by Brian Eno and Mozart, matching his reinventions of those pieces with a composition of his own. The result is a buoyant and fascinating record.

The centrepiece of this latest collection on Home Stretch is a perfect example of Andres's playful intelligence and individuality.